by Jeremy Zentner Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Fifty million dead, continents in ashes, and the emergence of a global struggle between two superpowers: World War II changed the path […]
by Carrie Finch Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. Painters have brush and canvas. Dancers have mirrors and marley floors. Musicians have their instruments and the loving maintenance they require. […]
by Samuel Poots Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. In 2009, I met my hero. I was eighteen, painted blue, and wearing a borrowed kilt, a brave choice for November in […]
Welcome to the November edition of the SFWA Market Report. Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those markets included on this list pay at least $0.08/word USD in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay […]
The SFWA Board and Elections Committee would like to announce the results of the 2024 special election. Thank you to all our members who took the time to vote. Kate Ristau has been elected SFWA President and Steven D Brewer has been voted in as SFWA Secretary. The newly elected officers and directors-at-large will serve […]
by Marie Croke Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. As speculative fiction authors, we twist and remake reality. Yet, when it comes to retelling events or using fiction to manipulate a […]
On 10/27/2024, the Board met to discuss multiple ethics complaints regarding Director-at-Large Oghenechovwe Donald Ekpeki after hearing statements from various parties involved. Mr. Ekpeki was also given a chance to speak to the Board regarding these complaints. After due consideration, and in compliance with Article V(5)(iii) of the SFWA Bylaws, the Board voted unanimously to […]
by Anneke Schwob Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. I’ve spent a lot of time in archives and special collections: parsing handwritten letters, transcribing diaries, puzzling over telegraphs and radio transmissions. […]
by Austin Conrad Editor’s note: This piece is part of a rolling series, Writing from History, in which creators share professional insights related to the work of using historical elements in fictional prose. Online media is my preferred starting point when seeking historical inspiration for my game writing—especially my recent fixation on King Arthur. If […]
by Eugen Bacon Editor’s note: This piece is part of an occasional series titled Writing by Other Means, in which authors share personal experiences and industry intel around different production contexts and writing tools. You have a novel, a novella, a short story in your head—you just need to write it. The muse is humming, […]
Arthur has conquered the first floor of the Tower and with a new ally, he’s got a real chance of building his Clan. The problem is, their alliance hinges on one factor: speed. Survival is no longer the only goal—it’s a speed run to the top.
Dilman Dila is a writer and filmmaker. His books, Where Rivers Go To Die, was shortlisted for the PKD Awards (2024). He was shortlisted for the BSFA Awards and the Nommo Awards for Best Novella. Watch his scifi films on patreon.com/dilstories
